The
Old House
By Hans Christian Andersen
(1848)
A very old house stood once in a street with
several that were quite new and clean. The
date of its erection had been carved on one
of the beams, and surrounded by scrolls
formed of tulips and hop-tendrils; by this
date it could be seen that the old house was
nearly three hundred years old. Verses too
were written over the windows in
old-fashioned letters, and grotesque faces,
curiously carved, grinned at you from under
the cornices. One story projected a long way
over the other, and under the roof ran a
leaden gutter, with a dragon’s head at the
end. The rain was intended to pour out at
the dragon’s mouth, but it ran out of his
body instead, for there was a hole in the
gutter. The other houses in the street were
new and well built, with large window panes
and smooth walls. Any one could see they had
nothing to do with the old house. Perhaps
they thought, “How long will that heap of
rubbish remain here to be a disgrace to the
whole street. The parapet projects so far
forward that no one can see out of our
windows what is going on in that direction.
The stairs are as broad as the staircase of
a castle, and as steep as if they led to a
church-tower. The iron railing looks like
the gate of a cemetery, and there are brass
knobs upon it. It is really too ridiculous.”
Opposite to the old house were more nice new
houses, which had just the same opinion as
their neighbors.
At the window of one of them sat a little
boy with fresh rosy cheeks, and clear
sparkling eyes, who was very fond of the old
house, in sunshine or in moonlight. He would
sit and look at the wall from which the
plaster had in some places fallen off, and
fancy all sorts of scenes which had been in
former times. How the street must have
looked when the houses had all gable roofs,
open staircases, and gutters with dragons at
the spout. He could even see soldiers
walking about with halberds. Certainly it
was a very good house to look at for
amusement.
An old man lived in it, who wore
knee-breeches, a coat with large brass
buttons, and a wig, which any one could see
was a real wig. Every morning an old man
came to clean the rooms, and to wait upon
him, otherwise the old man in the
knee-breeches would have been quite alone in
the house. Sometimes he came to one of the
windows and looked out; then the little boy
nodded to him, and the old man nodded back
again, till they became acquainted, and were
friends, although they had never spoken to
each other; but that was of no consequence.
The little boy one day heard his parents say,
“The old man opposite is very well off, but
is terribly lonely.” The next Sunday morning
the little boy wrapped something in a piece
of paper and took it to the door of the old
house, and said to the attendant who waited
upon the old man, “Will you please give this
from me to the gentleman who lives here; I
have two tin soldiers, and this is one of
them, and he shall have it, because I know
he is terribly lonely.”
And the old attendant nodded and looked very
pleased, and then he carried the tin soldier
into the house.
Afterwards he was sent over to ask the
little boy if he would not like to pay a
visit himself. His parents gave him
permission, and so it was that he gained
admission to the old house.
The brassy knobs on the railings shone more
brightly than ever, as if they had been
polished on account of his visit; and on the
door were carved trumpeters standing in
tulips, and it seemed as if they were
blowing with all their might, their cheeks
were so puffed out. “Tanta-ra-ra, the little
boy is coming; Tanta-ra-ra, the little boy
is coming.”
Then the door opened. All round the hall
hung old portraits of knights in armor, and
ladies in silk gowns; and the armor rattled,
and the silk dresses rustled. Then came a
staircase which went up a long way, and then
came down a little way and led to a balcony,
which was in a very ruinous state. There
were large holes and long cracks, out of
which grew grass and leaves, indeed the
whole balcony, the courtyard, and the walls
were so overgrown with green that they
looked like a garden. In the balcony stood
flower-pots, on which were heads having
asses’ ears, but the flowers in them grew
just as they pleased. In one pot pinks were
growing all over the sides, at least the
green leaves were shooting forth stalk and
stem, and saying as plainly as they could
speak, “The air has fanned me, the sun has
kissed me, and I am promised a little flower
for next Sunday—really for next Sunday.”
Then they entered a room in which the walls
were covered with leather, and the leather
had golden flowers stamped upon it.
“Gilding will fade in damp weather,
To endure, there is nothing like leather,”
said the walls. Chairs handsomely carved,
with elbows on each side, and with very high
backs, stood in the room, and as they
creaked they seemed to say, “Sit down. Oh
dear, how I am creaking. I shall certainly
have the gout like the old cupboard. Gout in
my back, ugh.”
And then the little boy entered the room
where the old man sat.
“Thank you for the tin soldier my little
friend,” said the old man, “and thank you
also for coming to see me.”
“Thanks, thanks,” or “Creak, creak,” said
all the furniture.
There was so much that the pieces of
furniture stood in each other’s way to get a
sight of the little boy.
On the wall near the centre of the room hung
the picture of a beautiful lady, young and
gay, dressed in the fashion of the olden
times, with powdered hair, and a full, stiff
skirt. She said neither “thanks” nor “creak,”
but she looked down upon the little boy with
her mild eyes; and then he said to the old
man,
“Where did you get that picture?”
“From the shop opposite,” he replied. “Many
portraits hang there that none seem to
trouble themselves about. The persons they
represent have been dead and buried long
since. But I knew this lady many years ago,
and she has been dead nearly half a century.”
Under a glass beneath the picture hung a
nosegay of withered flowers, which were no
doubt half a century old too, at least they
appeared so.
And the pendulum of the old clock went to
and fro, and the hands turned round; and as
time passed on, everything in the room grew
older, but no one seemed to notice it.
“They say at home,” said the little boy,
“that you are very lonely.”
“Oh,” replied the old man, “I have pleasant
thoughts of all that has passed, recalled by
memory; and now you are come to visit me,
and that is very pleasant.”
Then he took from the book-case, a book full
of pictures representing long processions of
wonderful coaches, such as are never seen at
the present time. Soldiers like the knave of
clubs, and citizens with waving banners. The
tailors had a flag with a pair of scissors
supported by two lions, and on the
shoemakers’ flag there were not boots, but
an eagle with two heads, for the shoemakers
must have everything arranged so that they
can say, “This is a pair.” What a
picture-book it was; and then the old man
went into another room to fetch apples and
nuts. It was very pleasant, certainly, to be
in that old house.
“I cannot endure it,” said the tin soldier,
who stood on a shelf, “it is so lonely and
dull here. I have been accustomed to live in
a family, and I cannot get used to this life.
I cannot bear it. The whole day is long
enough, but the evening is longer. It is not
here like it was in your house opposite,
when your father and mother talked so
cheerfully together, while you and all the
dear children made such a delightful noise.
No, it is all lonely in the old man’s house.
Do you think he gets any kisses? Do you
think he ever has friendly looks, or a
Christmas tree? He will have nothing now but
the grave. Oh, I cannot bear it.”
“You must not look only on the sorrowful
side,” said the little boy; “I think
everything in this house is beautiful, and
all the old pleasant thoughts come back here
to pay visits.”
“Ah, but I never see any, and I don’t know
them,” said the tin soldier, “and I cannot
bear it.”
“You must bear it,” said the little boy.
Then the old man came back with a pleasant
face; and brought with him beautiful
preserved fruits, as well as apples and nuts;
and the little boy thought no more of the
tin soldier. How happy and delighted the
little boy was; and after he returned home,
and while days and weeks passed, a great
deal of nodding took place from one house to
the other, and then the little boy went to
pay another visit. The carved trumpeters
blew “Tanta-ra-ra. There is the little boy.
Tanta-ra-ra.” The swords and armor on the
old knight’s pictures rattled. The silk
dresses rustled, the leather repeated its
rhyme, and the old chairs had the gout in
their backs, and cried, “Creak;” it was all
exactly like the first time; for in that
house, one day and one hour were just like
another. “I cannot bear it any longer,” said
the tin soldier; “I have wept tears of tin,
it is so melancholy here. Let me go to the
wars, and lose an arm or a leg, that would
be some change; I cannot bear it. Now I know
what it is to have visits from one’s old
recollections, and all they bring with them.
I have had visits from mine, and you may
believe me it is not altogether pleasant. I
was very nearly jumping from the shelf. I
saw you all in your house opposite, as if
you were really present. It was Sunday
morning, and you children stood round the
table, singing the hymn that you sing every
morning. You were standing quietly, with
your hands folded, and your father and
mother. You were standing quietly, with your
hands folded, and your father and mother
were looking just as serious, when the door
opened, and your little sister Maria, who is
not two years old, was brought into the room.
You know she always dances when she hears
music and singing of any sort; so she began
to dance immediately, although she ought not
to have done so, but she could not get into
the right time because the tune was so slow;
so she stood first on one leg and then on
the other, and bent her head very low, but
it would not suit the music. You all stood
looking very grave, although it was very
difficult to do so, but I laughed so to
myself that I fell down from the table, and
got a bruise, which is there still; I know
it was not right to laugh. So all this, and
everything else that I have seen, keeps
running in my head, and these must be the
old recollections that bring so many
thoughts with them. Tell me whether you
still sing on Sundays, and tell me about
your little sister Maria, and how my old
comrade is, the other tin soldier. Ah,
really he must be very happy; I cannot
endure this life.”
“You are given away,” said the little boy;
“you must stay. Don’t you see that?” Then
the old man came in, with a box containing
many curious things to show him. Rouge-pots,
scent-boxes, and old cards, so large and so
richly gilded, that none are ever seen like
them in these days. And there were smaller
boxes to look at, and the piano was opened,
and inside the lid were painted landscapes.
But when the old man played, the piano
sounded quite out of tune. Then he looked at
the picture he had bought at the broker’s,
and his eyes sparkled brightly as he nodded
at it, and said, “Ah, she could sing that
tune.”
“I will go to the wars! I will go to the
wars!” cried the tin soldier as loud as he
could, and threw himself down on the floor.
Where could he have fallen? The old man
searched, and the little boy searched, but
he was gone, and could not be found. “I
shall find him again,” said the old man, but
he did not find him. The boards of the floor
were open and full of holes. The tin soldier
had fallen through a crack between the
boards, and lay there now in an open grave.
The day went by, and the little boy returned
home; the week passed, and many more weeks.
It was winter, and the windows were quite
frozen, so the little boy was obliged to
breathe on the panes, and rub a hole to peep
through at the old house. Snow drifts were
lying in all the scrolls and on the
inscriptions, and the steps were covered
with snow as if no one were at home. And
indeed nobody was home, for the old man was
dead. In the evening, a hearse stopped at
the door, and the old man in his coffin was
placed in it. He was to be taken to the
country to be buried there in his own grave;
so they carried him away; no one followed
him, for all his friends were dead; and the
little boy kissed his hand to the coffin as
the hearse moved away with it. A few days
after, there was an auction at the old
house, and from his window the little boy
saw the people carrying away the pictures of
old knights and ladies, the flower-pots with
the long ears, the old chairs, and the
cup-boards. Some were taken one way, some
another. Her portrait, which had been bought
at the picture dealer’s, went back again to
his shop, and there it remained, for no one
seemed to know her, or to care for the old
picture. In the spring; they began to pull
the house itself down; people called it
complete rubbish. From the street could be
seen the room in which the walls were
covered with leather, ragged and torn, and
the green in the balcony hung straggling
over the beams; they pulled it down quickly,
for it looked ready to fall, and at last it
was cleared away altogether. “What a good
riddance,” said the neighbors’ houses. Very
shortly, a fine new house was built farther
back from the road; it had lofty windows and
smooth walls, but in front, on the spot
where the old house really stood, a little
garden was planted, and wild vines grew up
over the neighboring walls; in front of the
garden were large iron railings and a great
gate, which looked very stately. People used
to stop and peep through the railings. The
sparrows assembled in dozens upon the wild
vines, and chattered all together as loud as
they could, but not about the old house;
none of them could remember it, for many
years had passed by, so many indeed, that
the little boy was now a man, and a really
good man too, and his parents were very
proud of him. He was just married, and had
come, with his young wife, to reside in the
new house with the garden in front of it,
and now he stood there by her side while she
planted a field flower that she thought very
pretty. She was planting it herself with her
little hands, and pressing down the earth
with her fingers. “Oh dear, what was that?”
she exclaimed, as something pricked her. Out
of the soft earth something was sticking up.
It was—only think!—it was really the tin
soldier, the very same which had been lost
up in the old man’s room, and had been
hidden among old wood and rubbish for a long
time, till it sunk into the earth, where it
must have been for many years. And the young
wife wiped the soldier, first with a green
leaf, and then with her fine
pocket-handkerchief, that smelt of such
beautiful perfume. And the tin soldier felt
as if he was recovering from a fainting fit.
“Let me see him,” said the young man, and
then he smiled and shook his head, and said,
“It can scarcely be the same, but it reminds
me of something that happened to one of my
tin soldiers when I was a little boy.” And
then he told his wife about the old house
and the old man, and of the tin soldier
which he had sent across, because he thought
the old man was lonely; and he related the
story so clearly that tears came into the
eyes of the young wife for the old house and
the old man. “It is very likely that this is
really the same soldier,” said she, and I
will take care of him, and always remember
what you have told me; but some day you must
show me the old man’s grave.”
“I don’t know where it is,” he replied; “no
one knows. All his friends are dead; no one
took care of him, and I was only a little
boy.”
“Oh, how dreadfully lonely he must have been,”
said she.
“Yes, terribly lonely,” cried the tin
soldier; “still it is delightful not to be
forgotten.”
“Delightful indeed,” cried a voice quite
near to them; no one but the tin soldier saw
that it came from a rag of the leather which
hung in tatters; it had lost all its
gilding, and looked like wet earth, but it
had an opinion, and it spoke it thus:—
“Gilding will fade in damp weather,
To endure, there is nothing like leather.”
But the tin soldier did not believe any such
thing. |